Declares the relationship between sound art and music “colloquial”: spoken and accessible, rather than locked behind disciplinary boundaries.
Declares the relationship between sound art and music “colloquial”: spoken and accessible, rather than locked behind disciplinary boundaries.
Criticism & theory, History & criticism, Music (general)
In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled "Music - Sound Art: Historical Continuum and Mimetic Fissures", at the London College of Communication, University of the Arts London. This colloquium dealt with the current fervent debate concerning the relationship between sound art and music.
This book proposes the opening of the colloquium to a wider readership through the publication of a decisive range of the material that defined the event.
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“The act of listening is a complex web of interconnected behaviour and mental manoeuvring between music, pure sound and historical context. This book is an important tool to negotiate the gap between the history of music and the wider panorama of sonic art.” ~ Anne Hilde Neset, writer, broadcaster and artistic director, nyMusikk, Oslo
“Of course we need this book! Why? Because we take too much for granted about the relationship between sound art and music. Because we need incisive, creative thinkers, like the ones gathered in these pages, to help us separate the conjoined twins of sonic practice, such that they might – via their independence – contrive a more salubrious kinship.” ~ Seth Kim-Cohen, Assistant Professor of Art History, Theory, and Criticism, School of the Art Institute of Chicago
