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Open Book Theater Management: Ethical Theater Production Paperback – September 26, 2014
Purchase options and add-ons
- Print length183 pages
- LanguageEnglish
- PublisherZero Books
- Publication dateSeptember 26, 2014
- Dimensions5.53 x 0.44 x 8.66 inches
- ISBN-10178279641X
- ISBN-13978-1782796411
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Editorial Reviews
Review
"This book is just what actors and directors starting out need to read before setting up or joining a theatre company." - John Gillett, Author of Acting on Impulse, Acting Stanislavski and co-author of Voice into Acting
"A great balance of practical wisdom, clear methodology, and space for artistic expression." - Max Lewendel, Artistic Director, Icarus Theatre Collective
About the Author
Product details
- Publisher : Zero Books (September 26, 2014)
- Language : English
- Paperback : 183 pages
- ISBN-10 : 178279641X
- ISBN-13 : 978-1782796411
- Item Weight : 7.8 ounces
- Dimensions : 5.53 x 0.44 x 8.66 inches
- Best Sellers Rank: #3,032,548 in Books (See Top 100 in Books)
- #438 in TV Direction & Production
- #719 in Performing Arts Industry
- #10,095 in Theater (Books)
- Customer Reviews:
About the author
Rafe Beckley trained as an Actor at the East 15 Acting School in England. Since then, he has worked as an Actor, Theater Director and Teacher. His acting credits include Lord Capulet in 'Romeo and Juliet' at the British Pavilion for the 2010 World Expo in Shanghai, and John Hull in 'Notes on Blindness' (Fee Fie Foe Films). He has years of experience directing plays and shows in Fringe (Off-Off-Broadway) theatre, touring theatre, and shows and showcases for Actors graduating from Drama School.
He has taught Acting at the East 15 Acting School and at the Colchester Institute, and has also taught Acting for Directors at the Northern Film School.
Rafe has a Degree in Film and Drama from the University of Reading; a Degree in Acting from East 15 Acting School; and a Postgraduate Certificate of Education from Greenwich University.
Rafe is a member of British Actors' Equity.
He lives in rural France.
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Beckley's passion for encouraging ethical theatre production is clear from the outset and his personable style of writing makes the book readable and, most important of all, the concepts understandable. His clear experience and history in the industry (including one example of a time he ended sitting in an aisle in a supermarket in despair) demonstrate that this man is not a theatrical philosopher but an experienced practitioner who knows what change in the industry will make a difference to those on the ground.
I won't go in to too much detail as to the actual content and ideas, as that is something which needs to really be experienced by those that read it, but I will say one thing. The concepts and ideas are not easy to stomach at first; a prime example being the 'three guiding principles' at the outset which clearly state that making art is not the first priority. As hard as this could be to fathom, along with other ideas which seem may seem alien, they ring true and in the depth of your heart, you feel that he is right. There is the risk that some may find the tone occasionally over-bearing, even arrogant. But this is a personal thing. Approaching this book with an open-mind and a willingness to learn will pay dividends.
His passion, again, for the subject make for a compelling argument and you leave the book feeling that, if everybody read this, the industry may just be the better for it.
The inclusion of a complimentary website, with examples of budget sheets, is great - especially for people like me who are to accounting and budgets what flocks of birds are to aeroplane engines.
The outcome of my reading this book? My small production company is now fully signed up to this style of theatre production - and I hope many others follow suit.
This is the voice of a theatre practitioner who knows what change needs to take place, and is unafraid of being the person to make that change happen.